Wednesday, October 20, 2010

Top 10 Worst Dreams

1. Dreaming about the work you do during the day. There's nothing worse than completing a full day of stressful data inputing, only to dream about stressful data inputing.

2. eating some kind of poop

3. Realizing that you are cooler and better looking in your dreams than you are in real life. I know it's - like - a phrase and everything, but waking up and remembering you have pimples all over your chin and that you aren't actually hanging out with Bikini Kill and never will be makes the morning a real drag.

4. claws as hands, hands as claws. How frustrating!

5. Fatworld--oh, wait...

6. When you keep trying to hide from someone, like under a blanket or something, but the blanket ends up not being there or shrinking at an amazing speed. You may or may not be naked.

7. Big, huge teeth (no, this has nothing to do with vaginas.)

8. Small, tiny teeth sharpened to points and soft to the touch.

9. When everyone in your dream is someone you met once like 5 years ago. It makes me feel like my real friends aren't top of mind. Or that they're doing a bad job of staying in my dreams consistently. Get in there friends!

10. The almost-can't-tell-it's-a-dream, dream. You know when you dream about the same exact things you do during the day, but with only slight differences, like your nails are weirdly shaped, or your name is Kristen instead of Kendra, and instead of eating pasta for dinner you eat a burger.

For the record, I was really bothered by the film Inception because the "dreams" all these people were having were not marked with any of the weirdness of actual dreams. They should have had Tim Burton or David Lynch do it, and there should have been giant blueberry-headed dogs, morphing electronics, and cackling witches baking apple pies that periodically walked through the frames. Instead there was - like - a man walking fast, or something that would tip Juno off that she was in a dream. How weeeeeiiiird. Oh yeah, and crumbling buildings. woooooooowwwwwwwyaaaaaaaawwwwwwn.

Sunday, September 19, 2010

There's No Crazy like NYC Crazy

We ventured into Manhattan to see the movie Catfish last night. From the time we exited the theater to the time we arrived home in Brooklyn, the crowds in Union Square, the L train and the G train provided the experience of an acid trip without taking any drugs (unless the heady mix of urine and rat poison in the guts of the subway has psychedelic effects). I suppose this is why I and everyone else I know is drawn to and repelled by the city. Selection of sights beginning around 10 p.m.:

10:05, Outside of Theater: Man is distributing postcards promoting indie movie outside of theater. Pops up in front of my face saying "You like CATFISH - you watch THIS!" We decline and move on, swept along with crowd. Short, wild-eyed girl appears out of nowhere to verify his claim, cackles "It's BETTER, It's BETTER - I've seen it!"

10:06 Directly behind us, seemingly college-age girl talking loudly about G-CHAT, mentions it eerily over and over, begins to sound like incantation.

10:10 Older woman w/dual-pedaled scooter talking animatedly to homeless girl and her dog. Scene seems oddly comforting, like observing a mailman exchanging pleasantries with your neighbor in a small town.

10:11 Fire truck everywhere. No apparent reason.

10:15 While waiting for G train, extremely skinny gay man/boy in jean jumper and flowered blouse with dyed white blond hair clasps hands with his bff, an extremely high girl with oily hair and pinwheel eyes in patterned scarf. They simataneously hump each other and the air, stomp in imaginary circle, and sing hot chip song at top of their lungs, collapsing into each other in giggles after every verse.

10:15 Several yards down from jean jumper and friend, large group of black teens are step dancing, possibly in competitive circle.

10:20 Man on G train threatening to sprinkle bedbugs on train patrons. Makes his way through multiple cars spreading the news and laughing.

10:25 Vacant-eyed white man seen exiting train with giant orangeish-red stain on most of his white t-shirt. Stain appears to be from pasta, or possibly blood. Man doesn't seem to notice.

10:30 Home!




Saturday, August 14, 2010

Cupcake Wars

I thought the reality shows that really had been pushing the limits of ridiculousness were all on VH1 - shows like Tool Academy (self-obsessed muscleheads in bandanas whose girlfriends try and force them unsuccessfully into monogamy and misery) , I Love New York (loud yelling from a metareality star)and Celebrity Rehab make me realize all bets are off when it comes to show ideas.

However, after catching a few snippets of The Food Network's Cupcake Wars last night, I realized that VH1's dramatic trash reels were at least soap-operatic in their material, in some tiny way referencing the human dramas we've all experienced - love, loss, and social pressure.

In contrast, Cupcake Wars seems like the inevitable result of inbreeding among competition reality shows - the category of cable shows of which Top Chef is top dog and Project Runway, Design Star, Hell's Kitchen, The Apprentice, Shear Genius and the like crank out something judgeable (usually food, but including art, hair, businesses, clothes). What makes Cupcake Wars so bad is not just that it's a stretch of the formula from the start (how many different ways can you judge cupcakes?), it's the contrast between the light, simple pleasure of making/eating a cupcake and the stress and drama of the competition. Everything they say or do on the show ends up reading like a comedy.

For example, when one contestant, an older, foppish pastry chef from Beverly Hills named Farish starts in on the final cupcake round, in which the contestants have to build a giant cupcake display (a challenge that basically reveals that the producers ran out of ideas for baking cupcakes), he exclaims:

"At this point, I don't know how many more fondant purses I can make!"

Farish's display includes four giant spinning cupcakes gazing at their own reflections, "inspired by a 1930s hollywood dressing room". If self-absorbed starlet cupcakes can't make you laugh, I don't know what will.

The judging panel drama, a staple of any reality competition show, is even more laughable. The contestants, fully absorbed in the competition and putting their "reputations" on the line, spew standards lines while tearing up: "I want to win this for my family, it's my dream", etc etc. But I can't help feeling the whole show is like adding "in bed" to your chinese fortune cookie fortunes. Add "cupcakes" (or anything related to cupcakes) to end of any dramatic sentence uttered and you collapse into giggles.

How serious are YOU about cupcakes??

When contestants are elminated, the judges say:

"You are a casualty of this cupcake war". Groooooaaaan. How about "You've been frosted." Or "Take your cupcakes out of the oven, you're going home."

The older judge - some sort of French pastry expert, barely cracks a smile the whole show and says things like "the frosting is like mortar" while grimacing. With his exaggerated French accent, I almost believe that the cupcake he's judging is a serious matter. Oh wait, no, I don't. I think they casted him from a Grey Poupon commercial from the 90s.

The show seems to struggle to find ways to portray making cupcakes with more skill than it actually requires. For example, when another contestant craftily makes paper cups for her cupcakes, it automatically becomes her creative selling point:

"She came up with these ingenious cups that no one has done here before!"

Yawn.

With project runway or top Chef, I'm genuinely impressed with the contestants skill. I know I couldn't sew a couture dress or cook a gourmet meal from scratch. I'm pretty sure I could come up with a creative way to make cupcake holders.

In short, I think it's all downhill from here.

Tuesday, July 13, 2010

Internet Grasp Fail

Last week, David Pogue of the NY Times thoughtfully wrote a kind of "basics of social media" column for those who, um, still kind of don't get it (a.k.a older people who've just been faking knowing what the hell everyone else was talking about).

It was kind of interesting, if only to realize the knowledge gap that exists among seemingly smart, astute seniors who held out from accepting digital tools and trends too long, scoffing at the wide, rolling social media waves as a passing flood and only now realizing that no, actually, the world is now built on water like the towns in late 90s Costner-bomb Waterworld and fuck, I better learn to swim (deep breath - still with me?) Luckily, Pogue serves as a version of the Waterworld key to the new world - only instead of a tattooed map on the back of a little girl, his dictionary will save those who've managed to survive this far by drinking their own urine and such. Until we realize just how dire the situation is, as evidenced by this comment by a grateful "swimmer":

"I found this as a first class in a Twitter Communication course. What I had expected and would like as a second class are some of the terms that tweeters use. For example, many people use the acronym "LOL", and the first definitions that I think of are "Lots of Love" or "Lots of Luck". However, when I looked it up on a twitter dictionary what came up was "Laughing out Loud" or something that is funny. I need more help in understanding the language that I receive when someone tweets me."

Prognosis: dire.


Sunday, June 6, 2010

Mow It! Do It! Cut It! Trim It!

I feel most sorry for the cat in this commercial:



Sunday, May 2, 2010

TV Commercial Trend: Inanimate Objects with Personality

a.k.a Gag me with a spoon...although the spoon will probably start talking to me in a sassy grandmother voice selling cough syrup.

Lately, I've noticed a mildly disturbing trend among TV commercials - that of giving inanimate objects human motivations, characteristics, voices, and traits. I'm not sure if it's a latent fear of my world of appliances suddenly coming to life and fighting me in a sci-fi inspired electronics-vs.-human end of times war, or just the transparent advertising strategy displayed in these commericals, but every time I see these commercials I protest inside.

Maybe it's that the things that make us human - our tragic flaws, our use of language to communicate, the complicated nature of achieving happiness and satisfaction - is so easily slapped on to objects that were made to serve a simple function - and nothing else. So in some way perhaps I take offense to the forced merging of these worlds as a human being. i.e. no, my brain and emotions can't be graphed onto a strappy sandal for your commerical, I will not be boiled down to a talking vacuum cleaner handle. In short, I just find it weird. Here, a summary of some of the most blatant offenders:

Philandering Shoes.
I guess dudes suck even when they are talking shoes.



Hey, guys, what if the vacuum cleaners, are like, YOU. DUDE. Awesome.
I can only speculate that this commercial was made by potheads.


Boobs Vs. Butt
These aren't necessarily inanimate objects, but worth mentioning. Hey, Reebok, can you guess what my throat and the vomit within it are chattin' about?


Creepy mops and brooms.
Okay, these aren't that horrible - and I get it. It's still creepy to think about a broom needing a restraining order.



With legs like that, No wonder they went out of business
According to ad age, these commercials featuring "sexy" talking applicances aired just before Circuit City went out of business in 2009.This gives new meaning to plugging (in) your TV.


Conclusions and Warnings
Okay, so we are becoming used to conversing with our appliances and body parts. So what? says you.

I say if we're not careful, we'll end up like Japan - where men date video game characters (and some even marry them). Then again, this Japanese vacuum commercial from the 70s shows they've been blowing us out of the water in this arena for years:

Sunday, April 11, 2010

Return to the 50s...

in music, not in stifling cultural norms. Phew!

Perfect for summer! Great on ice!